content top

Best Albums of 2016

Rubyfruit Radio has been on a hiatus for most of the year, but that doesn’t mean I haven’t been listening to music. Below is a list of my favorite albums of 2016. They are in alphabetical order because it would be almost impossible to put them in  order of being my favorite.

Big Thief – Masterpiece


Nina Diaz  – The Beat Is Dead


Margaret Glaspy – Emotions and Math


PJ Harvey – The Hope Six Demolition Project


Hinds – Leave Me Alone


Lydia Loveless – Real


Lucius – Good Grief


Mitski – Puberty2


Angel Olsen – My Woman


Margo Price – Midwest Farmer’s Daughter


Savages – Adore Life


Tegan and Sara – Love You to Death


Thao and The Get Down Stay Down – A Man Alive





Read More

Sharon Van Etten: New EP “I Don’t Want To Let You Down”


Sharon Van Etten has announced the  release of an EP called I Don’t Want To Let You Down. The five song record comes out on June 9th via Jagjaguwar.

I Don’t Want To Let You Down was produced by Van Etten and Stewart Lerman, who also worked on 2014’s acclaimed  Are We There. Listen to the title track via Soundcloud and check out the tracklist below.

1 I Don’t Want to Let You Down
2 Just Like Blood
3 I Always Fall Apart
4 Pay My Debts
5 Tell Me [Live in Barcelona]

Pre-order the EP from Amazon.

Read More

Lesbian Christian singer Jennifer Knapp faces the music

(Originally posted on


In 2003, Jennifer Knapp had a successful career as a contemporary Christian singer-songwriter. She had sold over a million albums. She had a Grammy nomination and several Dove Awards. However, she was not enjoying her success the way one would expect. She was exhausted, going through what she described as a “crisis of confidence.” She walked away from music and virtually disappeared.

Four years ago, Knapp returned with an announcement that would test the loyalty of her fans and provoke many conservative Christians. She was a lesbian. She released an album called “Letting Go” and began her comeback.

In October 2014, Knapp released a new album called “Set Me Free,” as well as a memoir, titled “Facing the Music: Discovering Real Life, Real Love, and Real Faith.” Both works are honest and emotional and continue to spread what initially gained her fame — her message of love and faith.

Jennifer Knapp took some time to talk about why she left music, her journey back, and how her faith still plays a part in her career.

In 2002, you walked away from a successful career as a contemporary Christian artist. What were the factors that made you leave it behind? Did your sexuality play a part in that?

In general, I left my Christian music career exhausted. I was going through such a crisis of personal confidence to such a point that I simply didn’t have it in me to continue wrestling my private needs while living such a public life. I had so many issues weighing me down: crisis of faith and questions about whether or not I even wanted to be a Christian “on display”. I had a host of philosophical doubts about my role in the industry and many questions about what, if any of my own faith experience I was willing to share in public. Looking back, I’d have to say that my sexuality had a part to play in it,sure, but it was more of a symptom of need rather than a catalyst. It was, however a huge wake up call that I needed to start taking my mental and physical well-being a lot more seriously, and so, I did.

In 2010, you came out and also released a new record “Letting Go.” What was the reaction of your fans after you came out?

I’ve experienced the entire, perhaps predictable spectrum. There were fans absolutely celebrating with me, the joy of returning to music after having come back from such a dark place, all the way to having CDs sent back and hate mail. There were Christians who went out of their way to be supportive, while others angrily insist I could never claim my Christianity again. Good or bad, though, my coming out has definitely been a significant factor for many of the fans I’ve lost and kept since coming back.

What is your relationship with your earlier, more faith based records, “Kansas,” “Lay It Down,” and “The Way I Am”?

There are a handful of songs I still play live, but I’m pretty selective about when and where they get played. There are some personal, faith-based reasons why I won’t play some and there are some I just don’t enjoy playing. In the end, I suppose like any artist performing their own stuff, you keep playing what speaks to you and leave out what doesn’t fit.

In what ways has your music evolved since these earlier releases?

I’d like to think that, in general, that my overall skills have matured. I like more of what I write these days, lyrically, melodically, structurally — yet I don’t know that I’ve experienced a great sonic shift either. I think if there’s been any major evolution, it’s been one more of confidence and philosophy. I’m not a 20-year-old kid any more. I don’t feel that once nagging pressure to have to out-sing or out-write the last song in order to keep moving forward.

What is the song you are most connected to on your new album?

It’s hard to pick really, because just about every song has a moment that is so deeply personal. Today, it might be “Neosho” and tomorrow “What Might Have Been.” It’s more likely that one or two over the course of time might slip out of use, but for now, any one of them could be my heart’s cry for the day.

You have a book, “Facing the Music: My Story”, that just came out. What were your reasons for writing a memoir?

Mostly, I just wanted to take a moment to ask myself “how did I get here?” Especially after coming out, it was a question asked of me so many times, it seemed like the timing was right to sit down and reflect. From growing up in a small country town, to being a Christian pin-up girl, to coming out and questioning everything my faith community had ever taught me, I really wanted to go back and trace the path of what felt like was a fight for survival.

Based on your history as a Contemporary Christian musician, I am sure people tell you that homosexuality is a sin. What is your response?

It’s not like I have a standard response, but the place I usually try to get to is one that moves away from any Biblical debate and moves toward the testimony of what it’s like to suffer under that teaching. So much has been said to defend one theological position or another, but what we’ve really missed out on are the everyday people, families, LGBTs and their allies that have been caught in the crossfire. I think we need to move away from our tendencies to talk about our varying beliefs as Christians (of which there are many) but rather, get back to the business of defining our faith by how we love our neighbor. There’s really not much to debate now that the lines have been drawn, either you do or you don’t think LGBT love is a sin. The belief you hold doesn’t make you a Christian, it just let’s people know what kind of Christian you are.

You have stuck to your faith. What are people’s reactions this this?

Whether the response is from people in the church, those who have left the church or don’t care about religion, the kinds of reactions I get almost always depend on the backstory of the person making their commentary about my experience. For some LGBTs who have spent their lives serving and worshiping in full view of the pulpit, it makes sense that they’d be happy that I call myself a Christian. On the other hand, I’ve heard plenty from those who have been hurt, discriminated against or cast out, who question why I would stay. There will always be people who insist they know the best path for you or that they know what you need. It’s not that that can’t be an act of true enthusiasm and love, but in the end, each of us have to be responsible and honor our own conscience and experience. It’s in that way that claiming my faith and being honest that I’ve kept it has been very similar to coming out as a lesbian. Not everyone gets it. I don’t always have the words that will convince anyone that I’m legit, but there’s what I know and what I’ve got. It’s all any of us have, our experience. Our story. The real challenge is giving each other a wide enough path to travel it and for each of us to learn how to move ahead without destroying everything in our path.

Does your faith still play a large role in your music?

It has a role to play in my life personally, so I suppose there’s a trickle down into my music in some ways. I hope that what shows up in my music is a reflection of what’s going on in my life, yet, just like when you meet me on the street, or we sit down to have a coffee, I would rather the impact of faith in my life actually shows up more in my actions—to the benefit and joy of my neighbor — rather than it be a message of words. Compassion, love, forgiveness,a sense of something deeper than what I can see — I’d like to think are some of the themes that are woven through all my expressions in some way, but it would be a mistake to confuse that with any interest in writing music for the sake of promoting religion.

If you could take back one lyric from a song you wrote, what would it be?

Really, there’s only one song that concerns me and that’s “The Way I Am”. The lyrics in the chorus being: “It’s better off this way to be deaf, dumb and lame than to be the way I am/it’s better off this way to be groping for the flame than to be the way I am”. They are my words but a take on the Bible when Jesus said “if your eye causes you to stumble pluck it out.”

A lot of LGBT folks living in the church world have used that song almost like a talisman of religious shame. It’s too easily confused for a song that encourages reparative therapy or self harm. That’s exactly what I was trying to point out to the church, that not every metaphor in the Bible was meant to be literal, and in doing so, it causes more harm than good. Yet in trying to make my point, some couldn’t avoid the shaming tactics I was meaning to criticize in the first place.

I want the songs that I write to inspire confidence, a sense of self-worth and hope…this song failed that for way too many, I think.

Who are your influences?

Well, I hope in all of the years I’ve been amazed and listening their powers have rubbed off…the likes of Tracy Chapman, Natalie Merchant, Cowboy Junkies, Patty Griffin, Jonatha Brooke, Mary Chapin Carpenter, Amy Ray and Emily Saliers, U2, Dave Matthews and the list goes on. Their poetry is what inspires me most. They write music that echoes in your heart for a lifetime. They never seem to write music just for the sake of selling records or themselves. There are no B sides, they are always cutting to the marrow.

What else is in store for the rest of 2014 and into 2015?

The balance of 2014 is skipping around in support of “Set Me Free” and “Facing the Music”. One day I’m singing, next I’m doing book readings, then after that speaking to the LGBT faith conversation. This fall I’m doing a little bit of everything. The plan getting into Spring 2015 is putting a nice tour together in support of the album.

For more information about Jennifer Knapp, visit her website,

Read More

Antigone Rising: Women, whiskey & wine

Antigone Rising: Women, whiskey & wine


In Greek mythology, Antigone is regarded as a very strong and powerful woman, one who speaks her mind and also follows her heart. The band Antigone Rising has been following their heart for the last 20 years and rockin’ all along the way despite line-up changes and label shake ups. Founding sisters Kristen and Cathy Henderson have provided a solid foundation for the band and a philosophy of working harder than the boys and making fans feel like family.

Early 2014 saw the release of their EP “Whiskey & Wine – Vol. 1” which featured “That Was the Whiskey”, an alt-country song born from life on the road. The single reached #7 on CMT charts and has brought an entire new fanbase into the fold for the band. On October 28, 2014, Antigone Rising will be releasing “Whiskey & Wine – Vol. 2” which is sure to be a rocking good time, full of more toe tapping tunes from a band that has not stopped putting out great music for 20 years.

What is the story behind the band’s name?
Antigone is a Greek Legend, not a myth, so that means she really lived. She’s considered to be the first feminist in history — she defied the King to stand up for what she believed in. The band studied Greek Tragedy while we were in college at Bucknell University and the name just made sense to us at the time!

How would you describe Antigone Rising and your music?
We’re a band who believes in the grassroots nature of the music business. We love our fans and the interaction we’ve been able to have with them from the beginning of our career – even before social media became the norm. And we hope to write great songs that people like to listen to. For us, it’s very much about the live interaction and getting to meet and play for the fans.

What are your musical influences?
Between the four of us, I’d say we have several. The Beatles, Jimi Hendrix, Shawn Colvin, Patty Griffin, Cat Stevens, The Allman Brothers Band – I could go on for days.

Where do the inspirations for your songs come from, and what is the creative process for writing them?
Life events in general are the inspiration for many of our songs. Our kids have crept their way into our writing lately. But so have roadhouse birthday party gigs (our song”’That Was The Whiskey” is based on Nini’s birthday celebration while we performed at the 30A Songwriters Festival).

What is one of your songs that has a very personal meaning?
On our upcoming EP – “Whiskey & Wine Volume 2” – we have a song called “My Town” that was inspired by the loss of a few people who live in the town we live in. It’s a tough one to perform live without getting emotional.

Which one of your songs have you found most connects with your fans, and why do you think it does?
People really love “That Was The Whiskey”. I think people like songs you can stomp your feet and dance to. Plus most people know what it feels like to regret some of things they’ve done the night before.

In March of 2013, Kristen was on the cover of Time magazine kissing her wife. The story was entitled, “Gay Marriage Already Won”. Has there been any negativity towards the band because of the article? Anything positive?
My wife and I were pleasantly surprised at how positive the reaction was to our Time Magazine Kissing cover. Time Magazine prepped us for a media backlash along the lines of the Breastfeeding cover they had done a year earlier, and it turned out it was much ado about nothing. Geraldo Rivera and Bill O’Reilly were both extremely complimentary over it. So you know the tides are shifting.

How do you juggle being part of a rock band with being a mom?
Juggle is a good word to describe it. I think it’s very similar to what any working mom goes through except we travel a lot. When I’m home, I’m here for the daily schedule. The funny thing is, my kids don’t like when I get my hair cut or when they see guitars coming out of the closet because they know it means I’m leaving to go on tour! The other day I picked my daughter up from school after getting my hair chopped off for our upcoming dates and she started crying at pick up because she knew it meant I must be leaving.

At the end of last year, at your show at Rockwood Music Hall in NYC, you let fans crowd shoot your video for “Everything Changes”, what was this experience like? Will you ever do another crowd shoot video?
We will definitely do another crowd shot video at some point. That was a really fun video to shoot, but I think there are things we learned during the first shoot that we will improve up in the second one! For example, we didn’t get enough crowd shots of everyone pointing their smart phones at us. That’s a regret and for the next fan shot video there will be a lot more actual fan footage in the final edit!

What was the reason for releasing 2 EPs rather than one full album.
The music industry and social media are forcing artists to rethink how we release music. It’s not enough to write great songs or be a great band, You have to know how to stay on top of people’s minds. So our mantra is to never disappear from our fans newsfeeds. And the way to do that is to release a constant stream of new music. Every few months we put out a new song and twice a year we release a 5 song compilation of the songs we’ve released. That’s our new philosophy and it’s working.

“That Was the Whiskey” was born from life on the road. What was the writing process like for that song?
I think I mentioned earlier that “That Was The Whiskey” was inspired by a night we played at a roadhouse bar at the 30A Songwriters Festival. It happened to be Nini’s birthday. Our friend, singer/songwriter Lori McKenna was at the show and as soon as we came off stage she said we needed to write a song about what she’d just seen. So a few weeks later we drove up to Lori’s place and as long as the song is, is about how long it took us to write it. Sometimes it can be really easy…..rarely. But sometimes!

What’s your favorite song from the EPs?
My favorite song from W&W Volume 1 is “That Was the Whiskey” and favorite from Volume 2 is “My Town”. Both songs are honest – one is from the heart and one is just a lot of fun.

What’s in store for the rest of 2014?
Touring and finishing up Whiskey & Wine Volume 2! Looking forward to 2015 and seeing everyone out on the road.

For more information about the band, visit

Originally posted on

Read More

Musician Sarah Jaffe pushes boundaries with ‘Don’t Disconnect’

Musician Sarah Jaffe pushes boundaries with ‘Don’t Disconnect’


In Denton, a small college town situated north of Dallas on the Texas prairie, you can find artists of all genres honing their craft. It is here that Sarah Jaffe has been perfecting her sound. Her first full length album, the critically acclaimed “Suburban Nature” (2010), announced the singer-songwriter’s arrival onto the folk-pop scene with many critics lauding her as the next big thing.

Since that release, Jaffe began to transition from folksy balladeer to an artist with a more electro-pop sound. Her latest release, “Don’t Disconnect,” finds Jaffe furthering this electronic sound and adding to it hip-hop influences. She is an artist who is constantly growing both musically and lyrically and it shows with her new album.

Jaffe took some time to talk about the evolution of her sound and how she pushes boundaries.

Your style has been evolving into more of an electro pop sound. What has influenced this?

I think it’s just been more of a natural progression. More so than you might think. I don’t think I make music with the intention of sounding different. I think my intent is to grow a little bit more as a writer and musician with each record. Sometimes that growth comes with different instrumentation.

Do you feel like you’ve taken any big risks with “Don’t Disconnect”?

Not really. I made a record I am really proud of with a group of musicians I adore. Feels risk free.

Is there a theme that runs through the new record, “Don’t Disconnect”?

Not a conscious theme, no. But I definitely think there’s a common thread that could kind of tie them together. All except for a couple were written around the same time.

Have you pushed boundaries and experimented more with this album than previous albums?

I think I always experiment with moving outside my own comfort zone in the studio. Whether that be playing an instrument I am not used to playing or ..whatever really. I think being in the studio is where you push your own boundaries a bit.

Does the music you listen to now have any impact on the music you’re creating?

Sure it does!

Do you find that your music tends to be autobiographical or do you strive for a universal theme?

Probably a bit of both. People enjoy relating to one another. It’s like the small joy you get from reading your horoscope. When someone else reveals the truth about your life. That’s one of the joys about songwriting. Is you kind of reveal some truth about yourself and then someone comes along and says “that song is totally me.” So it may be autobiographical but I think I hold out hope that it will relate to somebody.

If you could collaborate with anyone, who would it be?


What’s one of your best live experiences?

Recently, I played to my hometown of Dallas at the Majestic Theatre. And it was hands down my favorite. The theatre is beautiful, the crowd was wonderful, and I think we all just felt good.

What’s in store for the rest of 2014?

Touring and playing songs from the new record!

For more information about Sarah Jaffe, visit her website.

Originally posted on

Read More

Sleater-Kinney returns


The indefinite hiatus is over and Sleater-Kinney is back! The band just announced they will release a new album titled “No Cities to Love” on January 20, 2015 and will go on a 13-date tour starting in February. This will be their first new album since 2005’s “The Woods.”

“No Cities to Love” was recorded in secret at San Francisco’s Tiny Telephone Recordings earlier this year, with additional sessions taking place at Portland’s Kung Fu Bakery Recording Studio and Seattle’s Electrokitty.

John Goodmanson, who worked on four of their previous releases, produced the new album. In a statement, guitarist Carrie Brownstein said, “We sound possessed on these songs, willing it all — the entire weight of the band and what it means to us — back into existence.”

The first single, “Bury Our Friends” is out now and showcased in a lyric video, featuring Miranda July. It lives up to all the expectations you have with Sleater-Kinney, hard guitar riffs and banging drums mixed in with powerful vocals. The song is also included in “Start Together,” a vinyl box set that spans the band’s career.

Sleater-Kinney went on hiatus in 2005, but the band members have kept busy. Carrie Brownstein has played and recorded as part of the band Wild Flag, but has also been very active acting. She writes and performs with Fred Armisen in IFC’s “Portlandia” and has a part in Amazon’s new series “Transparent.”

Drummer Janet Weiss has been playing with Wild Flag and has collaborated with The Shins as well as fellow alt-rock drummers Matt Cameron and Zach Hill for “Drumgasm.”

Corin Tucker has recorded two albums with The Corin Tucker Band, one in 2010 and a second in 2012. The band reunited to cover “Rockin’ In The Free World” with Pearl Jam in 2013, which fueled speculation of a new Sleater-Kinney project.

Sleater-Kinney has been deemed one of the most influential bands of the riot grrrl movement and I for one, could not be happier to see their return. Welcome back!

For more information about Sleater-Kinney, visit their website.

Originally posted on

Read More
content top